On the saltmarsh up in Ipswich, I sliced

a cattail, peeled off her brown velour

girdle. Her innards floated on the late

warm summer air. I made a wish

on her softness that I can’t tell anybody

and still hasn’t come true. The air thick

with hollyhock and oak leaves just 

beginning their turn to fall, beeswax,

sandalwood, the lowing of calves

at their weaning. I heard that brown

cattail flowers die by August and are all

male. By the time I released her, the sky

was variegated: green, gold, orange, red.

Today is the day of the first sheaf.

Already, people up here are twisting corn

husks with thin wire to hang, brewing sweet

meadow tea. An early frost in May nearly killed

the whole the blueberry crop on the hill—

they proved themselves hardy and grew fat 

with the humid summer, left a tinny, tart

aftertaste on the tongue. The cattail’s insides

floated as one thought over the saltmarsh,

hovered below the weakening sun. Did I say

that sound traveled differently up here too? 

I could hear steady slow hammering, metal

on metal, from the north, from the west.

The First Sheaf



Jennifer Martelli

Jennifer Martelli has received fellowships from The Virginia Center for the Creative Arts, Monson Arts, and the Massachusetts Cultural Council. Her work has appeared in The Academy of American Poets Poem-A-Day, Poetry, Best of the Net Anthology, Braving the Body Anthology, Verse Daily, Plume, The Tahoma Literary Review, and elsewhere. She is the author of My Tarantella, finalist for the Housatonic Book Award, and The Queen of Queens, which won the Italian American Studies Association Book Award and was shortlisted for the Massachusetts Book Award. Jennifer Martelli is co-poetry editor for MER. www.jennmartelli.com