On the saltmarsh up in Ipswich, I sliced
a cattail, peeled off her brown velour
girdle. Her innards floated on the late
warm summer air. I made a wish
on her softness that I can’t tell anybody
and still hasn’t come true. The air thick
with hollyhock and oak leaves just
beginning their turn to fall, beeswax,
sandalwood, the lowing of calves
at their weaning. I heard that brown
cattail flowers die by August and are all
male. By the time I released her, the sky
was variegated: green, gold, orange, red.
Today is the day of the first sheaf.
Already, people up here are twisting corn
husks with thin wire to hang, brewing sweet
meadow tea. An early frost in May nearly killed
the whole the blueberry crop on the hill—
they proved themselves hardy and grew fat
with the humid summer, left a tinny, tart
aftertaste on the tongue. The cattail’s insides
floated as one thought over the saltmarsh,
hovered below the weakening sun. Did I say
that sound traveled differently up here too?
I could hear steady slow hammering, metal
on metal, from the north, from the west.
The First Sheaf
Jennifer Martelli
Jennifer Martelli has received fellowships from The Virginia Center for the Creative Arts, Monson Arts, and the Massachusetts Cultural Council. Her work has appeared in The Academy of American Poets Poem-A-Day, Poetry, Best of the Net Anthology, Braving the Body Anthology, Verse Daily, Plume, The Tahoma Literary Review, and elsewhere. She is the author of My Tarantella, finalist for the Housatonic Book Award, and The Queen of Queens, which won the Italian American Studies Association Book Award and was shortlisted for the Massachusetts Book Award. Jennifer Martelli is co-poetry editor for MER. www.jennmartelli.com